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Optical Path Components

Field Diaphragm

Set it just outside the field — not for brightness

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Definition

An adjustable iris in the illumination path, usually at the base of the microscope, that sets how much of the specimen is lit. With the microscope set for Köhler illuminationLoading..., it is focused in the specimen plane, so its edge is visible as a sharp polygon when closed down.

Open it until the edge just clears the field of view. Closed further, it cuts off the corners of the image; open much further, it floods the optics with light from outside the field, which scatters and washes out contrast as glare. It is not a brightness control. That is the job of the neutral density filterLoading... or exposure timeLoading.... The other iris, the condenser aperture diaphragm, controls the illumination angle, which trades contrast against resolution.

Two irises, two different jobs

A transmitted-light microscope has two adjustable irises, and they are easy to confuse. The field diaphragm, near the lamp, sets how much of the specimen is illuminated; with Köhler illuminationLoading... its edge is focused in the specimen plane. The condenser aperture diaphragm, under the stage, sets the angle of the illumination, which trades contrast against resolution.

Neither one is a brightness control, although both change brightness. Using the aperture diaphragm to dim the image changes contrast and resolution; using the field diaphragm cuts off the field. Brightness belongs to the neutral density filterLoading... and the exposure time.

Simplified

A microscope has two irises. The one near the lamp, the field iris, decides how much of the slide is lit. The one under the slide decides the angle of the light, which affects contrast and sharpness.

Neither is meant for making the picture brighter or darker, even though both do. For brightness, use a gray filter or the camera's exposure time.

Set it for the camera, not the eyepieces

Close it until the edge is visible, focus and center it with the condenser, then open it until the edge just clears the field. The field that matters is the camera's, which is often a different size and shape from what the eyepieces show, and usually rectangular. Set the diaphragm while watching the live camera image, not through the eyepieces.

Repeat for each objective, because the field of view changes with magnification. A diaphragm opened for a 10× objective is far too wide for a 40×.

Simplified

Open the field iris just until its edge disappears beyond the picture. Do this while looking at the camera's live image, not through the eyepieces, because the camera often sees a different area than your eyes do.

Change it whenever you switch lenses. The setting for a low-power lens is much too wide for a high-power one.

What too far open costs

Opened well past the field, the diaphragm lights specimen and glass that the camera does not image. That light still scatters inside the specimen, the coverslip and the objective, and some of it reaches the sensor as a diffuse glare added to every pixel.

In brightfield the glare does most damage to the darkest areas: it adds light to strongly stained regions, so their measured optical densityLoading... is compressed toward the background and strong staining reads weaker than it is. Closed too far, the problem is the opposite and obvious: dark, cut-off corners that look like severe vignettingLoading....

Simplified

Opened too wide, the iris lights up parts of the slide the camera cannot see. That extra light bounces around inside the glass and lenses and lands on the camera as a faint haze over everything.

The haze hurts dark, strongly stained areas most, making them look paler than they are. Closed too far, the problem is easier to spot: the corners of the picture go dark.

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