Imaging Glossary › Köhler Illumination
Optical Path Components

Köhler Illumination

Even light across the field, set with two knobs

View
Definition

A way of arranging transmitted-light illumination, described by August Köhler in 1893, so that the lamp's filament is not imaged onto the specimen. The lamp is focused into the condenser's aperture plane instead, and the field diaphragmLoading... is focused into the specimen plane. The result is an evenly lit field, with the illuminated area and the illumination angle controlled independently.

The routine for each objective: focus on the specimen; close the field diaphragm until its edges appear; focus the condenser until those edges are sharp; center them with the condenser centering screws; then open the diaphragm until it just clears the field of view. Do it before any flat-field correctionLoading...: alignment removes the unevenness that should not be there, and the correction handles the vignettingLoading... that remains.

What Köhler's arrangement does

A microscope has two interleaved sets of planes that are imaged onto each other. The field set runs through the field diaphragmLoading..., the specimen, the intermediate image and the camera sensor. The aperture set runs through the lamp filament, the condenser aperture diaphragm and the objective's back focal plane.

August Köhler's arrangement, published in 1893, puts the lamp in the aperture set. Each point of the filament then sends a parallel beam through the whole specimen instead of being imaged onto part of it, so the filament's structure never appears in the image and the field is evenly lit. It also separates the two controls: the field diaphragm sets how much of the specimen is lit, and the aperture diaphragm sets the angle of the light.

Simplified

Without care, a microscope can project an image of the lamp's glowing coil onto your sample, giving bright and dark patches. Köhler's setup, from 1893, arranges the lenses so that every part of the lamp lights the whole sample evenly instead.

It also gives you two separate controls: one sets how much of the slide is lit, the other sets the angle of the light, which affects contrast and sharpness.

The routine, for each objective

Focus on the specimen. Close the field diaphragmLoading... until its edge appears as a polygon in the field. Raise or lower the condenser until that edge is sharp; a thin color fringe is normal. Center the polygon with the condenser centering screws. Open the diaphragm until the edge just disappears beyond the field the camera sees.

Then set the condenser aperture diaphragm. Look at the objective's back focal plane through a Bertrand lens or with an eyepiece removed, and close the aperture to about 70–80% of the objective's numerical apertureLoading.... Repeat for each objective; at low magnification, often 4× and below, swing out the condenser top lens if your condenser has one.

Simplified

Focus on your sample. Close the field iris near the lamp until you see its edge, a many-sided shape. Move the condenser up or down until that edge is sharp, center it with the two small screws, then open it until the edge is just outside what the camera sees.

Next, set the second iris under the slide to about three-quarters open. Do this again for each lens; it takes about a minute once you know it.

Why a camera needs it more than an eye does

The eye adapts to uneven light and hardly notices it; a camera records it exactly, and analysis software treats every brightness difference as information. An off-center or defocused condenser produces a brightness gradient across the field, which in brightfield reads as an optical densityLoading... gradient, a slope of apparent stain.

Köhler alignment removes the avoidable part of that unevenness at the source. The rest, the vignettingLoading... that comes from the optics themselves, is handled afterwards by flat-field correctionLoading.... Doing them in that order matters: a flat field captured with misaligned illumination corrects an error that changes the next time someone touches the condenser.

Simplified

Your eyes quietly ignore uneven light. A camera does not: it records every bright and dark patch, and measuring software treats those patches as real differences in the sample.

Aligning the lamp removes most of the unevenness. A correction picture handles the small amount left over. Align first, then take the correction picture, or the correction will be wrong as soon as someone adjusts the microscope.

Share This Term
Term Connections